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UCLA Entertainment Law Review

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About

The UCLA Entertainment Law Review (“ELR”) is an international law journal published once or twice a year by the UCLA School of Law. Since 1994, ELR’s staff has worked diligently to bring to our subscribers academic work of the highest quality, as well as articles that tackle the most novel and cutting edge issues in the field of entertainment law.

Front Matter

Articles

  • All Four Quarters: A Retrospective and Analysis of the 2011 Collective Bargaining Process and Agreement in the National Football League

    The NFL survived the 2011 offseason despite being bombarded by a

    sports law perfect storm. The National Football League Players

    Association (NFLPA or the Players) decertified itself as the bargaining

    representative of NFL players on March 11, 2011, hours before the

    expiration of the collective bargaining agreement that the NFL and the

    NFLPA agreed to in 2006 (the 2006 CBA). That night, nine current

    NFL players and one prospective NFL player, led by New England

    Patriots quarterback Tom Brady, filed an antitrust lawsuit against the

    NFL and its 32 Clubs.

     

    The Brady lawsuit was just part of a litigious 2011 in professional

    football. The NFL responded to the Brady lawsuit with a "lockout."

    Players could not report to work, Clubs could not have any contact

    with players and, eventually, games could have been missed. In

    addition to the Brady lawsuit, the Players sought damages related to the

    NFL's television contracts that allegedly violated the 2006 CBA,

    retired players fought for their rights in the labor negotiations, and the

    NFL contended that the NFLPA had failed to bargain in good-faith in a

    proceeding before the National Labor Relations Board.

     

    The NFL and NFLPA ultimately reached a settlement of the various

    lawsuits and agreed to a new CBA (the 2011 CBA) without missing

    any regular season games. This Article examines the history of labor

    negotiations in the NFL, provides a thorough examination of the most

    recent labor dispute and its related legal actions, and concludes with a

    detailed analysis of the 2011 CBA.

  • Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages

    Copyright law and the Internet are at an impasse. The looming

    question is how to approach unlicensed distribution of copyrighted

    works in the age of peer-to-peer networks. To supplement profits from

    copyrighted works, copyright holders have devised a mass-litigation

    model to monetize, rather than deter, infringement. Because of the

    existence of statutory damages, plaintiffs utilize the threat of outlandish

    damage awards to force alleged infringers into quick settlements.

     

    Statutory damages incentivize litigation-based businesses and

    encourage copyright holders to waste judicial resources by litigating

    even when actual damages are nominal. This Article presents an

    analysis of the legal and policy issues that arise in a mass-litigation

    model primarily through filings in federal district courts. After a

    discussion of the original purposes of U.S. copyright law, this Article

    concludes that statutory damages should be removed from the 1976

    Copyright Act.

  • The Aesthetics of Copyright Adjudication

    The American legal system is unable to continue avoiding the

    question of art versus non-art. In particular, questions of copyrightability

    often hinge on art-status. Yet art is a constantly evolving,

    reflexive field in which artists and philosophers continually challenge

    the status quo. Judges would benefit from analyzing claims to artstatus

    under the objectivity provided by well-developed aesthetic

    theories, aided by expert testimony when needed After reviewing

    several major philosophies of art, this Article proposes a framework

    for adjudicating art-status based on an aesthetic theory known as the

    Historical Definition of Art. Furthermore, to balance copyright law's

    purpose of protecting innovation with its need to promote public

    availability of copyrighted works, this Article proposes the creation of

    a new statutory exception to provide a defense for "utilitarian

    adaptations" of copyrighted three-dimensional works. This statutory

    defense would serve to encourage innovation and stimulate production

    of novel goods.

Essays

  • Correcting Digital Speech

    The market for information has changed dramatically in the past

    decade with the popularization of the Internet, the exponential growth

    in number and variety of speakers, and the increased democratization

    of speech. These shifts have made digital media particularly

    vulnerable to harm from information pollution; the information market

    is not as capable as it once was of ensuring that the truth prevails.

    Anecdotal evidence suggests that information consumers are not

    looking for the truth, but rather, for information that confirms their

    own pre-existing biases. Moreover, there is significant evidence that

    people are resistant to changing their minds from what they had

    previously believed, even if it is later proven to be false. Combined,

    market failures in disseminating information and personal heuristics in

    interpreting information suggest that the remedy of more speech to

    combat false or defamatory speech is not as effective as once thought.

    Instead, First Amendment jurisprudence should be rebalanced to allow

    for a general right of correction for digital speech.

Comments

  • A Public Press? Evaluating the Viability of Government Subsidies for the Newspaper Industry

    Despite the availability of information from online news

    organizations and new media outlets, newspapers remain the primary

    contributor of new content to the marketplace of information and

    ideas-integral in setting the agenda for public discourse, connecting

    readers with their communities, reducing the costs of citizen oversight

    on elected officials, and producing investigative and local news

    reports. But newspaper economics have sparked massive reductions in

    editorial operations and threaten the press's role in American democratic

    society. The strong public interest in preserving the newspaper

    industry should compel Congress to stabilize the press.

     

    Journalists, politicians, and legal scholars have discussed many

    possible solutions. This Comment evaluates the practical and constitutional

    questions raised by two potential public subsidy programsdirect

    government funding and indirect support by facilitating

    newspaper conversion to nonprofit status-and whether such programs

    could be administered without jeopardizing the Fourth Estate's

    independence. This Comment argues that direct subsidies, though they

    could be tailored to survive constitutional challenge and to protect

    editorial independence, cannot deliver a feasible long-term solution.

    Indirect subsidies likely would only be available to newspapers

    following an amendment to the U.S. tax code and even then would

    provide limited benefit to qualiying newspapers until they have developed

    a fundraising base. Yet, this Comment concludes that subsidies

    could stabilize the press practically if Congress combined direct

    funding and tax-based incentives into a hybrid similar to that utilized

    by public radio.