This article unravels on archival mystery by tracing the creation and archivization of a series of photographs staged by Sharanjit Singh Dhillonn, an Indian immigrant, in Oklahoma in the 1950s. The collection has been digitized and made accessible in the South Asian American Digital Archive (SAADA), a community archive that is using records to spark conversations about racism, assimilation, and resistance. The article argues that community archives can activate troubling records from the past in order to forge relationships of care and mutual responsibility with their communities now.
