Journal of Critical Mixed Race Studies

Since its global spread in the 1980s, hip-hop has been a crucial cultural sphere in which Europeans of color have engaged the experiences of race and racism, gender, and national belonging, with hip-hop music and culture often considered to function as the cultural lingua franca of the African diaspora. Given the continued dominance of Nordic exceptionalism and formal color-blindness in both the Finnish national imaginary and public discourses, hip-hop emerges as an important site for examining the production of counter-discourses and -narratives by Finns of color, and Afro-Finns in particular. This article approaches Afro-Finnish hip-hop as an alternative archive of Afro-Finnish experience and thought. It centers three works by the Afro-Finnish R&B singer Rosa Coste and Afro-Finnish rapper Yeboyah to examine articulations of liminality in relation to Blackness, mixedness, and Finnishness. Exploring the multiple readings of liminality discernible across these works, the article shows that they offer meaningful meditations on Afro-Finnish identity and experience. In raising the multiple forms of liminality that shape the Afro-Finnish experience, these works also raise questions about the potentials and limitations of multiraciality as a category of analysis in the Finnish context.