Signmaking, Chino-Latino Style: Concretismo and the Mimesis of Chinese Graphemes
Skip to main content
Open Access Publications from the University of California
Search eScholarship
Refine Search
All of eScholarship
This Journal
TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World
UC Merced
Submit
Manage
Submissions
Menu
Journal Home
Issues
Main Menu
Volume 13, Issue 1, 2025
Volume 12, Issue 3, 2025
Volume 12, Issue 2, 2025
Volume 12, Issue 1, 2024
Volume 11, Issue 2, 2024
Volume 11, Issue 1, 2023
Volume 10, Issue 2, 2023
Volume 10, Issue 1, 2022
Volume 9, Issue 8, 2022
Volume 9, Issue 7, 2021
Volume 9, Issue 6, 2021
Volume 9, Issue 5, 2020
Volume 9, Issue 4, 2020
Volume 9, Issue 3, 2020
Volume 9, Issue 2, 2019
Volume 9, Issue 1, 2019
Volume 8, Issue 4, 2018
Volume 8, Issue 3, 2018
Volume 8, Issue 2, 2018
Volume 8, Issue 1, 2018
Volume 7, Issue 3, 2017
Volume 7, Issue 2, 2017
Volume 7, Issue 1, 2017
Volume 6, Issue 2, 2016
Volume 6, Issue 1, 2016
Volume 5, Issue 3, 2015
Volume 5, Issue 2, 2015
Volume 5, Issue 1, 2015
Volume 4, Issue 2, 2014
Volume 4, Issue 1, 2014
Volume 3, Issue 2, 2014
Volume 3, Issue 1, 2013
Volume 2, Issue 2, 2013
Volume 2, Issue 1, 2012
Volume 1, Issue 3, 2012
Volume 1, Issue 2, 2011
Volume 1, Issue 1, 2011
Book Reviews
Ethics and Policies
About
Main Menu
About Us
Editorial Board
Aim and Scope
Call for Papers
Administrator Login
Contact us
Submission Guidelines
eScholarship
UC Merced
School of Social Sciences, Humanities, and Arts
TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World
Volume 2, Issue 2
Download PDF
Main
PDF
Share
Email
Facebook
Signmaking, Chino-Latino Style: Concretismo and the Mimesis of Chinese Graphemes
2013
Colón, David A.
© 2013 by the author(s).
Learn more
.
Published Web Location
https://doi.org/10.5070/T422018498
...
Main Content
Metrics
Author & Article Info
Abstract
Signmaking, Chino-Latino Style:
Concretismo
and the Mimesis of Chinese Graphemes
Top
